Archive for eBook Reviews
Verdict: 4 Stars
I adore well-done historical fiction, and as a particular favorite category, I never get tired of Titanic stories. There is so much to be said and learned, because essentially the ship carried–and lost–more than 1,500 different stories. It would be a treasure to know them all.
In Gaynor’s title, the story of the Titanic is almost a side plot of its own as the real story is of Maggie Murphy’s personal loss, not on the ill-fated voyage, but at leaving her real love behind in Ireland. After surviving the disaster, she moves forward in the way that only a young woman of the early twentieth century could: she put it behind her and never spoke of it again.
Interwoven with Murphy’s story is that of her own granddaughter, who suffers her own brand of loss seventy years later. Together, they work to heal the hurts of the past by ripping them open and hoping for new enlightenment.
For everywhere that the story was touching and well-written, there were equally important places where the accuracy just wasn’t there and the reading level was very middle grade. It was a fun book, even in spite of its fluff, and I was able to concede that there are stockpiles of in-depth, well-researched non-fiction and fiction titles about the Titanic. This one seemed to have the Titanic as more of a backdrop of the book, which is fine if readers aren’t expecting James Cameron’s level of detail and accuracy.
The Girl Who Came Home is available now.
Verdict: 5 Stars
Rowling/Gilbraith has done it again, and this one may be even better than the first in her Cormoran Strike series.
It was both sad and amazing when JK Rowling returned to fiction writing after closing the covers on her Harry Potter series. As she transitioned into becoming the head of the worldwide wizarding empire that has seen a movie franchise, interactive website world, licensed products, and even a theme park, her writing bug may have been quieted by the other projects, but it certainly hadn’t died. With her embarrassingly disappointing first adult novel, no one could argue that Rowling didn’t stay true to herself and write the book she wanted to write, critics be damned.
But with her second series, Rowling smartly opted for a pen name to avoid the comparisons. Her adult fiction is nothing like the world she built for avid young readers, and she avoided being associated with the first book for as long as she could. Still staying true to her literary choices, she penned the book she wanted to write and her audiences responded favorably.
With the second installment, The Silkworm, Rowling crafted an even more gripping story than the first Strike novel, this time focusing more on the literary world. After a novelist goes missing and Strike is called in by the wife to find him, Strike discovers that the writer’s most recent manuscript is a tell-all that would expose people who know the novelist personally, including his own wife. Someone has a motive for murder, and Strike must sift through the saga of dirty laundry in order to beat the killer to it.
Even more than the ever-present writing ability of an author who has the ability to put her readers in the setting, whether it’s a dark alley or Diagon Alley, this is one book that might hit too close to home for the world famous author herself. Who better to write about the perils of literary fame than one of the highest grossing authors of all time? It was easy to wonder “what if” as I read, wondering how much of the torment her character feels applies to her own life.
Despite the ongoing dispute between Amazon and Hachette, this title is now available in all formats (paperback still pending).
Verdict: 4 Stars
Equal parts mystery and broken family saga with elements of deep dark secrets, this title is hard to categorize into just one genre.
Married couple Siri and Jon head back to her childhood home for the summer so Jon can presumably finish his long-awaited follow up novel. The family begins to unravel in many overlapping places, beginning with Siri’s mom, Jenny, who finally takes a drink after twenty years of sobriety. But even more dirty laundry gets aired involving the tragic death of Siri’s younger brother as a toddler, long-ago affairs come to light, and a young au pair’s body is found, leaving everyone suspicious of the role all of the others may have played in it.
In typical Ullmann fashion, this story is about as dark as it gets. The characters are intriguing, but I couldn’t find a single thing to like about any of them, even the children. By the end of the book, I was hoping for their final comeuppance just to rid the planet of a few of them.
Despite the depressing characters and story line, it still pulled me in as I had to find out what happens to resolve the underlying mystery. Ullmann’s writing style is gripping, even if she carries some of her famous father’s dark plot elements. The translation by Barbara Haveland was flawless and really speaks to the hard work that goes into translating full-length novels.
The Cold Song is available now.
Verdict: 2 Stars
Something strange is afoot with Stephen King…
First, he writes what is arguably one of his worst books yet. Completely devoid of supernatural story line (which I realize is not a requirement for a King novel, but it certainly does make it amazing), King’s approach to crime fiction is more about a deranged mass murderer than any kind of horror plot. I may be a little too old school-King fan to see the value in this story line, but humans killing other humans (specifically by running them over with a car before planning out an even bigger, farther reaching genocide-level event) is the stuff of news headlines, and I thought King was a little more creative than that.
The story, unfortunately, features characters that I wouldn’t want to ride on a crowded elevator with, let alone sit down and read about. His take on an African-American male character (complete with outrageously inappropriate dialogue) is practically offensive, and his detective who comes out of retirement specifically to stop this killer is a walking stereotype, the star of about thirty different cop movies. Throw in a romance element with the out-of-shape, sickly, nearly-suicidal Detective Hodges, and you’re sure to throw up in your mouth a few times.
I found the fact that King released an essay on gun control and then wrote a plot about a man who barrels into a crowd of people with his car to kill as many as possible a little too coincidental. It felt contrived. I’m certainly willing to believe I’m reading way too much into this, but the timing was odd, especially given the propensity of people on both sides of the gun control debate to say ridiculous things about other methods of killing people. Archie Bunker’s quote comes to mind: “Would you rather they was pushed outta windows?”
Sadly, long-time King fans may be disappointed in this title. I keep hoping it was a fun social experiment in which King pops up in two months and yells, “Surprise! My neighbor’s kid wrote this one, and I published it as mine to prove that the publishing industry will sell anything with my name on it! I could publish my grocery list and you people would line up to buy it!” (I’m not holding my breath for that scenario, however.)
There is a really strange phenomenon happening, though; the Amazon reviews for this book are incredibly unnerving. The one- and two-star reviews for this book are filled with paragraphs on what’s wrong with this title (and I’m relieved to see that these people had almost the same problems I had with it, minus the lazy “ripped from the headlines” quality of the story line and my deranged conspiracy theory about King simply highlighting other methods of killing people), but if you look at the five-star reviews, they are frighteningly identical. It’s like the Stepford Reviewers came along. If you want the hair on the back of your head to stand up, this is the only thing about this book that will do it.
Page after page of five-star reviews are filled with almost verbatim copycats. “Great book, can’t wait to read the next one, will definitely recommend it!” A number of them even casually mention, “I’ve already preordered his book that’s due out in November!” They tell nothing about the story line or plot, they’re almost all the same length, they’re all overexcited and peppered with exclamation points; even more interesting is the fact that they are all “Verified Purchase,” as if no one received a copy of the book as a gift or bought it at Walmart or even an airport bookstore. They look…planned. I’m in no position to throw around accusations about the reviews, but where were the die-hard fans who couldn’t wait to throw out spoiler alerts or drag out every nuance and every side character? No one wanted to expound on it for more than eight words?
Overall, the only thing about the book that left me questioning what I thought I knew and understood about human nature turned out to have nothing to do with the plot. Here’s hoping King returns to his glorious roots and gives us something worthy of his name.
Verdict: 4 Stars
It was great. It was tender and raw at the same time. I’m sure the movie’s going to be fabulous even though I don’t plan to go anywhere near the crowds of people who were camped out to see the midnight showing and are swooning for Team Augustus.
I had to take the book down a bit for its dialogue. I would love to live in a world where teens were naturally as witty as Hazel and Augustus, but after sixteen years of teaching experience I’m sad to say: they’re not. It was fun, and there are the occasional Hazel/Augustus types out there, but it eventually felt a little forced.
This one is going to get me hate mail, but I quickly grew tired of Hazel’s darkness. Yes, she’s got terminal cancer, and yes, she’s had it for years. Yes, she even has a diagnosis of clinical depression, which is not something people can snap out of. I almost didn’t like the juxtaposition of her cancer and her mental state, because it seemed to me as though the cancer was the “excuse” to be depressed. Depression is an illness all on its own, it doesn’t need an “excuse.” That’s why it’s so misunderstood and so belittled, and why its patients suffer the way that they do.
But once I got done nitpicking about everything I didn’t like about the book, it was a pleasant read. I’m sure a lot of my enjoyment came from the writing/author theme that carries throughout the book with this one title that Hazel adores, and the inventiveness Augustus shows. Spoiler alert, the ending almost cost it another star with me…you were warned. But that star came back because I love books that get society reading, even if it’s Twilight or 50 Shades or a book about two teens with cancer and not a chance in the world, if it gets people excited about reading again, then it’s worthy.
Verdict: 5 Stars
Sweet Tooth has every right to be filled with teen angst, only it’s too funny to be dark. Author Tim Anderson, who was available at a book launch party timed in conjunction with BookExpo America, is as funny in person as he is on the page, and his natural personality and voice come through in his tale that has every right to be a difficult and sensitive subject.
Anderson spoke to Good e-Reader about the subject of the book and the publishing process.
“It’s basically a gay, diabetic memoir of an adolescent in the eights. It starts when I’m fifteen years old when two striking events happened to me. Number one was my discovery of gay porno mags, and number two was my diagnosis as a Type I diabetic. I was a very religious little boy at the time, and I thought I was being punished for the former with the latter. In the summer of ’88 I was diagnosed with the high blood sugar they’d ever seen, and the book has these two threads going on.”
While adapting to both of these truths about himself, Anderson paints certain scenes in this disconnected, third-person way that almost reads like a movie happening within the book. During the times in the story when the author’s blood sugar spikes and he’s out of himself, the reader is treated to the scene through the eyes of an outsider narrator.
The cast of characters are as diverse and eclectic as any family and friends that most of us have but could be a little hard to understand at times; more importantly, though, (spoiler alert) an important character plays a role in the author’s story at the end of the book.
Console Wars is a new book written by Blake J. Harris and tells the tale of the the battle between Nintendo and Sega in 1980 and 1990. The premise of the book is how Nintendo employed heavy handed tactics, roping in developers into exclusive agreements to publish on their platform and paid a pittance of royalties. Most jumped ship to the young upstart Sega, where they embraced developers, knowing they were the key to the success of any hardware platform.
Ever since Console Wars was released, it has garnered tremendous fanfare from people who grew up in the 1980′s and playing console games became a way of life. The book has been adapted into a feature film by Seth Rogen and Evan Goldberg, who provide the book’s foreword.
When Nintendo burst on the scene they controlled 90% of the entire American console market. They had a mascot in the form of Mario and an extensive library of games, such as Zelda. Sega on the other hand was spending a copious amount of money on celebrity endorsements and had no identity. This all changed when Tom Kalinske took over as President of Sega. He generated Sonic as their Mario killer and beat Nintendo to the punch with a the Sega Genesis. We get excellent introspectives on how the Sega Game Gear was developed and RND projects such as 3D Glasses.
Many people don’t’ realize but when the Playstation technology was originally being developed it was based on the Sega CD platform. Sega and Sony were jointly working on the next generation of gaming until Sony bowed out and released their Playstation. The book discusses all of the semantics of the deal and is fairly eye opening to people who weren’t aware of a lost piece of history.
Sega of America prospered under the watch of Tom, selling 350,000 units in the first year. It is especially interesting to see the decline of Sega in the ensuing decade from hardware developer to being relegated to developing software. Harris tells us that every bad decision Sega made that resulted in a loss of market share — the ill-advised 32X add-on and the premature launch of the doomed Saturn console among them — was entirely within the purview of Sega’s stubborn parent company.
Console Wars does not go into the development of the biggest gaming properties Sega developed. The conceptualizing of the games from ideas to the finished product would have been especially compelling.
This book is one of my favorites to be released all year. Anyone who has ever had a subscription to Nintendo Power, Sega Magazine, or spent hours watching the Saturday morning Nintendo cartoon should read this book. It gives a clear perspective of the video game crash of Atari and the Colecovision and the rise of modern gaming.
Verdict: 5 Stars
As far as the genre known as “cozy mysteries” goes–dead guy, yes, psychopathic serial killer, no–there are a host of authors out there crafting really fun story lines and developing settings and characters that speak to a broad audience of whodunnit fans. These books typically run in a series so that fans can get a real feel for the backstory involved in the plot, and because fans of these titles enjoy finding out new aspects to their beloved characters’ lives.
Shelley Costa, author of the brilliant You Cannoli Die Once (Pocket Books, 2013) has done it again with the next book in the Miracolo series, Basil Instinct. This title once again follows Eve Angelotta, head chef of her family’s four-generation Italian restaurant, along with her cousin sidekicks, as they have to sort out a mystery while whipping up a to-die-for eggplant parmesan.
In Cannoli, Eve’s grandmother, Maria Pia, was accused of murdering her octogenarian boyfriend with the kitchen mortar and it was up to them to clear her good name. Now, Maria Pia has been invited to join a secret society of great female culinary experts, one that has a seedy reputation for its almost Mafia-like intensity where cooking is concerned.
Murder and antics ensue for Eve, Landon, and the rest of the familiar cast of characters, but what really will grab readers’ attention is Costa’s undeniable comedic style. These may not be people you know, but you will certainly wish your circle of friends was this colorful and amusing. Family dynamics, relationships, love interests, and murder combine artfully in this cooking-themed series, and…never mind, I’ll spare you the recipe analogy.
Basil Instinct will be available on May 27th.
Verdict: 5 Stars
With just the right mix of paranormal oddities, romance, and a smidge of explicit fun, Bennett’s series seems to wrap up with this installment, Banishing the Dark. With Arcadia on a hunt for her evil parents and planning for an epic showdown with the momster who created her, the spells are flying and her relationships with those around her are courting danger.
One of the really fun aspects of this entire series has been the fact that–okay, if the witchcraft and all of that were removed–this could be any family with too many skeletons to keep contained in one closet. Cady gets to the bottom of one secret, only to find three more waiting to take its place. The dynamics could be any extended family’s, this one just happens to have the ability to summon energy from the moon to create devilish beings.
It was refreshing to see a romance title that doesn’t have to rely on the pure smut to sell copies. Sure, it’s in there, but it’s a very natural side plot to the story rather than an all out 50 Shades romp a minute. Bennett relies instead on her powers of storytelling and her own writing ability to lure readers in with a roller coaster ride of suspense and intrigue. Couple that with a supernatural cast of characters who shocks and surprises at every turn, and it’s easy to forget that this one’s a romance.
Banishing the Dark will be available on May 27. Four previous titles in the Arcadia Bell series are available now.